E I D O L O N The Journal of Australian Science Fiction and Fantasy |
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Eidolon Vol. 4, No. 2 (Whole No. 14), published by Eidolon Publications in April 1994 (as the Autumn 1994 Edition) © 1994. |
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NON-FICTION |
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Editorial | It's The End of the Year As We Knew It... | 4 | |
Australian Content | A Lateral Leading Edge: Australian SF and Cyberpunk | 14 | |
Robin Pen's | Critical Embuggerance: Waiting For Godzilla | 27 | |
In Print | A Bibliography of Recent Australian SF | 72 | |
Fresh Ink: | Reviews of Recent Publications | 77 | |
Letters | Reader's Feedback and Forum | 89 | |
Lucy Cohen Schmeidler's | An Almost Common Language | 94 | |
FICTION |
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Sean Williams' | "The Jackie Onassis Swamp-Buggy Concerto" | 7 | |
Marguerite Laurence's | "In The Half-Light" | 23 | |
Robert Hood's | "Rotting Eggplant on the Bottom Shelf of a Fridge" | 35 | |
Mary Dennison's | "To Dream of Those Elysian Fields" | 45 | |
Terry Dowling's | "A Women Sent Through Time" | 53 | |
ARTWORK |
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Cover Logo & Graphics: | Keira McKenzie | ||
Internal Illustrations: | Shaun Tan, Simon Colombini, and Gavin O'Keefe |
Eidolon is published four times yearly and is distributed free to persons contributing either fiction, articles, or published letters. Subscriptions are $24.00 for four issues and commence with the first issue after payment has been received. Cheques and money orders should be made payable to Richard Scriven.
Potential contributors to Eidolon should write requesting guidelines prior to making any submission. Submissions which do not comply with guidelines may not be considered for publication. Copyright for all contributions remains with the contributor unless otherwise indicated. Reproduction of any portion of Eidolon for any purpose without prior approval of the contributor violates copyright. The views expressed in Eidolon do not necessarily reflect the views of the Editors or of Eidolon Publications.
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